Synchronous soundsВ contribute to the realism of film and alsoВ help to create a particular atmosphere.ДЇor example, the 'click' of a door being opened may simply serve to convinceВ the audience that the image portrayedВ is real, and the audience may onlyВ subconsciously note the expected sound. For example, if the film portrays a characterВ playing the piano, the sounds of theВ piano are projected.

Synchronous sound effects are those sounds which are synchronized orВ matched with what is viewed. This film presents pure escapismВ - largely due to its frenetic dialogue. The audience is bounced from gagВ to gag and conversation to conversation В there is no time for audience reflection.В The audience is caught up in a whirlwindВ of activity in simply managing to followВ the plot. The comedy Bringing Up Baby, on the other hand, presents practically non-stopВ dialogue delivered at breakneck speed.В This use of dialogue underscores notВ only the dizzy quality of the characterВ played by Katherine Hepburn, but also the absurdity of the film itself and thus itsВ humor. In thisВ way the film-maker was able to portrayВ what Thomas Sobochack and VivianВ Sobochack call, in An Introduction to Film,В the ' inadequacy of human responsesВ when compared with the magnificentВ technology created by man and the visualВ beauties of the universe'. For example, in the highly successfulВ science-fiction film 2001, little dialogueВ was evident, and most of it was banalВ and of little intrinsic interest. It is interesting to note that howВ dialogue is used and the very amount ofВ dialogue used varies widely among films. The viewer sees not an actor working at hisВ craft, but another human being strugglingВ with life. When voice textures fit the performer's physiognomy and gestures, a wholeВ and very realistic persona emerges. Thus, forВ example, the actor Humphrey Bogart isВ the character Sam Spade film personalityВ and life personality seem to merge.В Perhaps this is because the very texture ofВ a performer's voice supplies an elementВ of character.

OftenВ with film characterization the audienceВ perceives little or no difference betweenВ the character and the actor.

As is the case with stage drama, dialogue serves toВ tell the story and expresses feelings andВ motivations of characters as well. They include dialogue,В synchronous and asynchronous soundВ effects, and music. Topics which essentially refer to the three previously mentioned tracks areВ discussed below. TheseВ three tracks must be mixed and balancedВ so as to produce the necessary emphasesВ which in turn create desired effects. The entire sound track consistsВ of three essential ingredients: the humanВ voice, sound effects and music. A meaningfulВ sound track is often as complicated asВ the image on the screen, and is ultimatelyВ just as much the responsibility of theВ director. Though we might think of film as an essentially visual experience, we reallyВ cannot afford to underestimate theВ importance of film sound.

Answer wrong sound effect